This monograph on an underdocumented yet highly relevant topic—intangible cultural heritage and film—focuses attention on various experiences of working with film in the context of intangible heritage.

"The chapters range from analytical to practical and will be of particular interest to museum professionals and heritage custodians. The monograph offers a fresh perspective on ethnographic film and its role as a mediator of heritage. It is a valuable contribution to the literature on intangible cultural heritage and paves the way for further discussion about film within and about intangible heritage, as well as its role in heritage policy."
— From the review by Dr. Felicia Hughes-Freeland